“Considerable“ was the title of the exhibition of Guðrún Tryggvadóttir and Brynhildur Þorgeirsdóttir at the LÁ Art Museum that opened on September 23rd 2017 and ran until February 25th 2018.
This exhibition showcases the art of Brynhildur Þorgeirsdóttir and Guðrún Tryggvadóttir, who have established a place for themselves with their own personal, consistent view of the world. Brynhildur works with fantastical creatures, mountains and landscape, in concrete and glass among other media, while Guðrún paints the reality of generations and energy in time and space with oils on canvas.
Most of the works on display have been made in the past three years, while the exhibition also includes pieces from the start of the artists’ careers, that manifest the Zeitgeist of the 1980s, when the form and content of their work expressed views contrary to the conventional art of that time.
Curator is museum director Inga Jónsdóttir and art historian Heiðar Kári Rannversson writes an article in the catalogue published about the exhibtion. See the catalogue.
Open daily 12 - 6 pm in Sept. From Okt. open Thu. - Sun. 12 - 6 pm. Entrance free of charge.
Guðrún Tryggvadóttir
B. 1958. Guðrún studied art at the Iceland College of Arts and Crafts 1974-78, École Nationale Supérieure des Beaux-Arts in Paris 1978-79 and Akademie der Bildenden Künste in Munich 1979-83.
She has held many exhibitions in Iceland, Europe and the USA, and received many awards, both for her art and for her work in innovation; she has been a pioneer in various fields, founding and running an art school and creative design studio, which she ran for years in Germany and Iceland. Guðrún also launched the environmental website nature.is, which she managed for about ten years; she has played a leading role in environmental education since her return to Iceland in 2000.
Today Guðrún works mainly in oils on canvas: her paintings have an ideological basis and are very personal, with the focus on giving visual form to time and matter, and the relationship between generations and the universe. Works by Guðrún are in public collections in Iceland and other countries.
In the piece ’The Fourth Dimension’ I project the lifespan of all 11 women in the series ‘Bloodline’, letting them emerge and dissolve, positioned on a timespiral of 360°, where one round equals one century.
Time is the creative force and our lives are all intertwined and have a beginning and an end. We are positioned in the year 2017 and the future is unknown to us. My own lifetime is the closest one, the flesh tone one with the golden threads dividing the 7 year periods.
„Maternity“ by Guðrún Tryggadóttir, to the left and „Landmarks“ by Brynhildur Þorgeirsdóttir, to the right.
At the exhibition Considerable at the LÁ Art Museum.
From the series Birthmarks and DIN formats / Me as a 120 page Pocket book, from front and behind.
Serie: 60 black & white photographs DIN A6 (10,5x14,8 cm)
Photographed on 4 negatives with an Hasselblatt camera.
Assistant photographer: Herbert Rometsch.
The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light.
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.
The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.
On the first page of the catalogue says:
This book is about
that part of me
that faces the outer world.
This book is about
my points and dots
that face the outer world.
Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging, putting into perspective, taking out of context, counting in, projecting, moving, etc.
Left wall: 11 typewritten examples (framed 33 x 240 cm).
DESTRUCTION series nr. 1, Din A4.
Right wall: 11 colour photographs (framed 33 x 240 cm).
DESTRUCTION series nr. 2, Din A4.
11 photos from the DESTRUCTION series, version Din A4 in color.
Photograped on a 6x6 cm colorslides with an Hasselblatt camera in the middle of the day on 11 days. View series.
Assistant photographer: Herbert Rometsch.
Photographed at the same place and time in 11 days.
Photographer, camera, object (arm), background and other relevant aspects during the process remained the same.
Various daylight and weather conditions result in slight light and color variations from one photograph to the other.
The changing conditions of the letters on the arm are caused by the healing taking place between the photosessions (1 day, 24 hours)
Concept:
I cut letters into my left arm.
1. day D
2. day E
3. day S
4. day T
5. day R
6. day U
7. day C
8. day T
9. day I
10. day O
11. day N
Each day I photograph my arm with the recently cut letter.
Each day a new letter is added so that the word DESTRUCTION appears on the eleventh day.
The healing becomes more and more obvious, the letters appear weaker and so the meaning of the word DESTRUCTION gets destroyed.
Result: DESTRUCTION (here cutwounds on skin) that takes place over time proves to be untrue because of the healing.
The series „Bloodline“ displayed in 5 and 6 meter long rows from floor to ceiling at the exhibition Considerable at the LÁ Art Museum.
Row to the left:
1. Ingibjörg Nikulásdóttir 1685 -1739
2. Kristín Halldórsdóttir 1754 -1820
3. Ragnhildur Rögnvaldsdóttir 1726 - 1792
4. Ingibjörg Bjarnadóttir 1824 -1855
5. Halldóra Sturlaugsdóttir 1785 -1834
6. Guðrún Þorleifsdóttir 1851-1899
Row to the right:
7. Ingibjörg Ásmundsdóttir 1885-1969
8. Guðrún Guðmundsdóttir 1916-1997
9. Guðbjörg Erla Gunnarsdóttir 1938
10. Guðrún Arndís Tryggvadóttir 1958
11. Móna Róbertsdóttir Becker 1988
Piece nr. 11 of 12, painting nr. 11 of 11 from the Bloodline serie.
Generation nr. 11, Ingibjörg Nikulásdóttir, mother of 3 children, my great- great- great- great- great- great- great- grandmother in the female bloodline. Born 1685 died 1739.
Piece nr. 10 of 12, painting nr. 10 of 11 from the Bloodline serie.
Generation nr. 10, Ragnhildur Rögnvaldsdóttir, mother of 5 children, my great- great- great- great- great- great- grandmother in the female bloodline. Born 1726 died 1792.
Verk nr. 9 af 12, málverk nr. 9 af 11 úr Dalablóðs seríunni.
Ættleggur nr. 9, Kristín Halldórsdóttir, 12 barna móðir, langa- langa- langa- langa- langamma mín í móðurætt. Fædd 1754 dáin1820.
Íslendingabók:
Fædd 1754. Látin 19. október 1820. Húsfreyja á Kolsstöðum, Kvennabrekkusókn, Dal. 1801. „Vinnusöm og dygg; fær fínt orð“, segir í Dalamönnum.
Heimildir: Kb.Kvennabrekka.Dal., 1801, Dalamenn, Borgf.II.77, Esp.2375
Makar og börn:
Sturlaugur Atlason um 1750 - 1813. Eiginmaður. Bóndi á Kolsstöðum, Kvennabrekkusókn, Dal. 1801. Bóndi þar frá 1784 til æviloka. „Iðjusamur, frómur og skilsamur“, segir í Dalamönnum.
Jón „eldri“ Sturlaugsson 1783 - 1836
Ragnhildur Sturlaugsdóttir 1784 - 1828
Halldóra Sturlaugsdóttir 1785 - 1834. Var á Kolsstöðum, Kvennabrekkusókn, Dal. 1801. Húsfreyja í Lækjarskógi.
Kristín Sturlaugsdóttir 1786 - 1832
Egill Sturlaugsson 1788 - 1843
Jón „yngri“ Sturlaugsson 1789 - 1845
Ingibjörg Sturlaugsdóttir 1790 - um 1808
Guðríður Sturlaugsdóttir 1791 - 1855
Hreggviður Sturlaugsson 1793 - 1863
Árni Sturlaugsson 1795 - 1839
Jóhannes Sturlaugsson 1798 - 1840
Guðmundur Sturlaugsson 1800 - 1877
Piece nr. 8 of 12, painting nr. 8 of 11 from the Bloodline serie.
Generation nr. 8, Halldóra Sturlaugsdóttir, mother of 7 children, my great- great- great- great- grandmother in the female bloodline. Born 1785 died 1834.
Piece nr. 7 of 12, painting nr. 7 of 11 from the Bloodline serie.
Generation nr. 7, Ingibjörg Bjarnadóttir, mother of 2 children, my great- great- great grandmother in the female bloodline. Born 1824, died 1855.
Piece nr. 6 of 12, painting nr. 6 of 11 from the Bloodline serie.
Generation nr. 6, Guðrún Þorleifsdóttir, mother of 4 children, my great- great- grandmother in the female bloodline. Born 1851, died 1899.
Piece nr. 5 of 12, painting nr. 5 of 11 from the Bloodline serie.
Generation nr. 5, Ingibjörg Ásmundsdóttir, mother of 12 children, my great- grandmother in the female bloodline. Born 1885, died 1969.
Piece nr. 4 of 12, painting nr. 4 of 11 from the Bloodline serie.
Generation nr. 4, Guðrún Guðmundsdóttir, mother of 4 children, my grandmother in the female bloodline. Born 1916, died 1997.
Piece nr. 3 of 12, painting nr. 3 of 11 from the Bloodline serie.
Generation nr. 3, Guðbjörg Erla Gunnarsdóttir, mother of 4 children, my mother. Born 1938.
Piece nr. 2 of 12, painting nr. 2 of 11 from the Bloodline serie.
Generation nr. 2, Guðrún Arndís Tryggvadóttir, mother of 2 children, my self. Born 1958.
Piece nr. 1 of 12, painting nr. 1 of 11 from the Bloodline serie.
Generation nr. 1, Móna Róbertsdóttir Becker, my daughter. Born 1988.