Birthmarks and DIN formats
Rauða húsið / The Red House | 1981-07-11 - 1981-07-19

The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light.
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.

The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.


  1. Photos DIN A2- DIN A9 - Guðrún Tryggvadóttir from back.
  2. Photos DIN A6 - Guðrún Tryggvadóttir from front and back.
  3. Photos and photocopies DIN A4. Me, to me, from me via POSTE RESTANTE - Mail Art. Guðrún Tryggvadóttir from back.
  4. Me in DIN A6 - Book work. A pocket book of Guðrún Tryggvadóttir in DIN A6 from front and back. 120 pages. Published in 10 photocopied, handmade and signed copies.
  5. A catalogue with texts, photos, photo copies and mixed media. 120 pages. Published in 2 handmade and signed copies.

 

On the first page of the catalogue says:

This book is about
that part of me
that faces the outer world.

This book is about
my points and dots
that face the outer world.

Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging,  putting into perspective, taking out of context, counting in, projecting, moving, etc.

 

Verk


Photopiece


hæð: 620 cm
breidd: 178 cm
þykkt: 1 cm
eigandi: Guðrún Arndís Tryggvadóttir

Aðrar sýningar

Nánar

Me from behind
Guðrún Arndís Tryggvadóttir 1981

From the series Birthmarks and DIN formats / Me as a 120 page Pocket book, from front and behind.

Serie: 60 black & white photographs DIN A6 (10,5x14,8 cm)
Photographed on 4 negatives with an Hasselblatt camera.
Assistant photographer: Herbert Rometsch.

The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light.
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.

The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.

  1. Photos DIN A2- DIN A9 - Guðrún Tryggvadóttir from back.
  2. Photos DIN A6 - Guðrún Tryggvadóttir from front and back.
  3. Photos and photocopies DIN A4. Me, to me, from me via POSTE RESTANTE - Mail Art. Guðrún Tryggvadóttir from back.
  4. Me in DIN A6 - Book work. A pocket book of Guðrún Tryggvadóttir in DIN A6 from front and back. 120 pages. Published in 10 photocopied, handmade and signed copies.
  5. A catalogue with texts, photos, photo copies and mixed media. 120 pages. Published in 2 handmade and signed copies.

On the first page of the catalogue says:

This book is about
that part of me
that faces the outer world.

This book is about
my points and dots
that face the outer world.

Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging,  putting into perspective, taking out of context, counting in, projecting, moving, etc.

Photopiece


hæð: 60 cm
breidd: 42 cm
eigandi: Guðrún Arndís Tryggvadóttir Nánar

My back in DIN A2 to DIN A9
Guðrún Arndís Tryggvadóttir 1981

The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light. 
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.

The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.


  1. Photos DIN A2- DIN A9 - Guðrún Tryggvadóttir from back.
  2. Photos DIN A6 - Guðrún Tryggvadóttir from front and back.
  3. Photos and photocopies DIN A4. Me, to me, from me via POSTE RESTANTE - Mail Art. Guðrún Tryggvadóttir from back.
  4. Me in DIN A6 - Book work. A pocket book of Guðrún Tryggvadóttir in DIN A6 from front and back. 120 pages. Published in 10 photocopied, handmade and signed copies.
  5. A catalogue with texts, photos, photo copies and mixed media. 120 pages. Published in 2 handmade and signed copies.

 

On the first page of the catalogue says:

This book is about
that part of me
that faces the outer world.

This book is about
my points and dots
that face the outer world.

Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging,  putting into perspective, taking out of context, counting in, projecting, moving, etc.

Photo


hæð: 29 cm
breidd: 21 cm
eigandi: Guðrún Arndís Tryggvadóttir

Aðrar sýningar

Nánar

Me, to me, from me - Mail Art
Guðrún Arndís Tryggvadóttir 1980

This series did originally consist of 19 black & white DIN A4 photos of my back, that I enlarged to real life size photos on thin photo-paper (Copy Line). Then I made stamps and stamped on each photo the name of the receiver and sender, address, POSTE RESTANTE, postal code, city and country. I made photocopies of all the photos before I folded them down to size DIN A5 to look more like letters, took them to the post office where I put stamps on them and sent them on their way.

The final series consists on one side of the letters I got back (11 letters) and photocopies of the letters I did not get back (7 letters) in spite of the international rule that POSTE RESTANTE letters shall be returned to sender if not picked up by receiver within a given time. The photo above shows one example, the letter to me from me that I sent to Beijing and was returned to me.

On July 25, 1980 I sent 19 letters to 19 cities in 18 countries.

The letters are photos of my back. Photos of me, to me, from me.

To be able to send the photos to my own name in 19 cities all over the world I used POSTE RESTANTE*.

Example:
Guðrún Tryggvadóttir
Napels
POSTE RESTANTE
Italy

*POSTE RESTANTE: A department at main post offices where people can send mail to people without permanent residence and to tourists traveling in that city.

The cities were chosen randomly. I sent photos disguised as letters to cities all over the world:

I sent my self photos with the purpose of getting them back, at least sometime.
It varies from country to country how long they keep POSTE RESTANTE letters before they send them back, the shortest time was one month.

Conclusively there has been an exhibition of my back in post offices in 19 cities. Also on their way to there and back.

The letters have gone through the hands of many post service and transportation employees, that might have wondered why the senders name is the same as that of the receiver.
The fact that the photos are of the sender and receiver could not have been obvious.

Each country must have rules on how long POSTE RESTANTE are kept before sent back. According to the time of return (12 returned) it is obvious that the distances comply with the timespan. Meaning that long distance = long time from sending to receiving and short distance = short time from sending to receiving.

Returned letters are stamped, signed and written on by all the people that had something to do in the process of delivery. They write and stamp on my back and note that I’m not there.
Drawings on the letters are by people I don’t know.

  • Photo of skin, folded, sent as a letter.
  • Communication – working with people without working together.
  • Delivery from one place to the other.
  • Using a post office as a gallery.
  • Showing your art without damanding a certain treatment, retrievement or reimbursement.
  • Works sent away to introduce them to other people than the usual suspects in the arts business.

Letters sent July 25, 1980.
To:
Amsterdam
Barcelona
Berlin B.R.D.
Berlin D.D.R.
Kairo
Kalkutta
London
Mexico City
Moskow
München
Neapel
New York
Oslo
Beijing
Reykjavík
Rome
Teheran
Tokyo

Retrieved mail.
From:
Amsterdam
Berlin B.R.D.
London
München
Napels
New York
Oslo
Beijing
Tokyo

Letters probably still (May 1981) in the following cities:
Barcelona
Berlin D.D.R.
Kairo
Kalkutta
Mexico City
Moskow
Teheran

The only letter I picked um myself was the one at the main pos office POSTE RESTANTE in Reykjavík.

Sýningar

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ARTSPACE – New Courses 2025

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DILEMMA

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INSIDE
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METAMORPHOSIS
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2023-12-09 - 2025-09-01
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Works in Private Collections
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2023-07-15 - 2024-07-15
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INTO
Sesseljuhús – Umhverfissetur

2023-06-03 - 2023-08-20
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Kaleidoscope: Icelandic 20th Century Art
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

2023-03-25 - 2023-08-07
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Cornerstone – 60th Anniversary exhibition
Listasafn Árnesinga / LÁ Art Museum

2023-02-11 - 2023-08-20
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Studies for The Diver
Sundhöll Selfoss

2023-02-10 - 2023-03-26
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Imaginations
Eyravegur 65

2022-10-08 - 2022-10-09
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No 4 Around – Smallworks
Hótel Laugar Sælingsdal

2022-07-02 - 2022-08-27
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Hofstaðir – Menningarmiðlun
Minjastofnun Íslands

2022-07-01 - 2022-10-01
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The Diver
Sundhöll Selfoss

2021-06-11 - 2030-11-01
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Awakening
Listasafn Ísafjarðar / Ísafjörður Art Museum

2021-04-30 - 2021-06-05
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Lífsverk – Þrettán kirkjur Ámunda Jónssonar
Listrými / Artspace

2021-02-08 - 2030-01-01
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Krosskirkja – Listræn ráðgjöf
Krosskirkja

2021-01-01 - 2021-10-01
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Greetings across the Ocean
Nordatlantens Brygge

2020-06-13 - 2020-10-18
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Thirty aquarelles from the book Legacy
Skálholtsskóli

2019-12-14 - 2020-02-05
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Artspace

2019-12-01 - 2040-01-01
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Legacy – The thirteen churches of Ámundi Jónsson
Hallgrímskirkja

2019-12-01 - 2020-03-01
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Considerable
Listasafn Árnesinga / LÁ Art Museum

2017-09-23 - 2018-02-25
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Guest at Jörvi
Jörvi, Haukadalur

2017-04-22 - 2017-05-22
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Source
Gallerí Gangur / The Corridor

2017-01-19 - 2017-04-04
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Artspace - Courses & Workshops, Spring 2017
Listasafn Árnesinga / LÁ Art Museum

2017-01-03 - 2017-04-01
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Bloodline
Ólafsdalur, Gilsfjörður

2016-07-23 - 2016-08-14
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Artspace - Art Workshops
Listasafn Árnesinga / LÁ Art Museum

2016-03-10 - 2016-04-30
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Woman's lot: The feminine knowing
Listasafn Reykjanesbæjar / Reykjanes Art Museum

2015-11-13 - 2016-01-31
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The Artists’ Colony of Hveragerði

2015-10-12 - 2030-01-01
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Barn exhibition
Vinnustofa / Atelier – Alviðra

2015-09-26 - 2015-10-04
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Points of View
Safnahúsið / The Culture House

2015-04-18 - 2021-04-30
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Challenge
Listasafn Árnesinga / LÁ Art Museum

2015-01-24 - 2015-04-23
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Upheaval – Icelandic art post 1970
Listasafn Árnesinga / LÁ Art Museum

2014-09-27 - 2014-12-14
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The House and the Environment

2014-02-23 - 2020-01-01
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Zoom Out
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

2013-02-02 - 2013-05-20
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The Recycle App

2012-01-01 - 2020-01-01
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Organic Map of Iceland

2012-01-01 - 2020-01-01
Skoða

Ancestors & Descends
Galdrasafnið á Ströndum / Museum of Icelandic Sorcery & Witchcraft

2011-11-21 - 2011-11-23
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Horses in Icelandic Art
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

2011-05-07 - 2011-08-11
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The Green Map

2008-09-01 - 2020-01-01
Skoða

Nature.is – an eco-conscious network

2006-10-25 - 2020-01-01
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Icelandic Visual Arts: Painting post 1980
Listasafn Íslands / The National Gallery of Iceland

2006-10-07 - 2006-12-03
Skoða

This is what the children want to see!
Menningarmiðstöðin / Cultural Centre – Gerðuberg

2002-11-23 - 2003-01-06
Skoða

Myths & Monsters in Icelandic Folktales
Alþjóðahúsið / International House

2002-08-17 - 2002-09-06
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The new Painting - The golden Beach breaths
Nýlistasafnið / The Living Art Museum

2001-01-20 - 2001-02-18
Skoða

Art-Ad

2000-09-01 - 2007-01-01
Skoða

City Monument in Großalmerode
Ráðhústorgið / City Hall Square

1999-01-01 - 2030-01-01
Skoða

Art & Culture Competition
Volkshochschule Witzenhausen

1995-06-01 - 1995-06-01
Skoða

Deutsche Bilder
Glas- und Keramikmuseum

1995-05-01 - 1995-08-01
Skoða

Kunst & Werbung

1995-01-01 - 2000-08-30
Skoða

Show from the Reykjavík Art Museum
Kringlan

1994-06-01 - 1994-09-03
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SPACE – Artschool, Workshop, Gallery
Listhús í Laugardal

1992-09-01 - 1993-05-30
Skoða

Unreconciled Passion, Art and the Confrontation of Grief
Gallery Spaces

1992-01-17 - 1992-02-14
Skoða

Concepts and Dimensions
Trumbull Art Gallery

1991-03-16 - 1991-04-14
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The Murray Hill Summer Art Walk
The Murray Hill School

1990-06-01 - 1990-06-03
Skoða

The Person in Icelandic Art 1965-1985
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

1988-06-05 - 1988-07-10
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Self Portraits in Icelandic Art
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

1988-01-01 - 1988-02-28
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Guðrún Tryggvadótitr
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

1987-03-14 - 1987-03-29
Skoða

Books & Illustrations
Menningarmiðstöðin / Cultural Centre – Gerðuberg

1985-09-22 - 1985-10-24
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Iceland: The Art Revealed
Franklin Furnace

1984-04-19 - 1984-07-31
Skoða

Debütant Exhibition – AdBK
Akademie der Bildenden Künste – AdBK

1983-12-12 - 1983-12-17
Skoða

In the Red House
Rauða húsið / The Red House

1983-03-13 - 1983-03-19
Skoða

The golden Beach breaths
JL húsið / JL House

1983-01-29 - 1983-02-12
Skoða

In the Living Art Museum
Nýlistasafnið / The Living Art Museum

1982-11-12 - 1982-11-14
Skoða

In Inwood Park
Inwood Park - N.Y.C., N.Y.

1982-09-01 - 2015-08-25
Skoða

Kunst und Fruchtsaft
Akademie der Bildenden Künste – AdBK

1982-05-10 - 1982-05-15
Skoða

Art Photocopies Exhibition
Centrum't Hoogt University

1982-02-26 - 1982-03-21
Skoða

Destruction
Gallerí Djúpið

1980-09-27 - 1980-10-08
Skoða

In the Studio

1974-01-01 - 2015-12-31
Skoða
© Guðrún Arndís Tryggvadóttir 2015