Birthmarks and DIN formats
Rauða húsið / The Red House | 1981-07-11 - 1981-07-19

The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light.
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.

The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.


  1. Photos DIN A2- DIN A9 - Guðrún Tryggvadóttir from back.
  2. Photos DIN A6 - Guðrún Tryggvadóttir from front and back.
  3. Photos and photocopies DIN A4. Me, to me, from me via POSTE RESTANTE - Mail Art. Guðrún Tryggvadóttir from back.
  4. Me in DIN A6 - Book work. A pocket book of Guðrún Tryggvadóttir in DIN A6 from front and back. 120 pages. Published in 10 photocopied, handmade and signed copies.
  5. A catalogue with texts, photos, photo copies and mixed media. 120 pages. Published in 2 handmade and signed copies.

 

On the first page of the catalogue says:

This book is about
that part of me
that faces the outer world.

This book is about
my points and dots
that face the outer world.

Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging,  putting into perspective, taking out of context, counting in, projecting, moving, etc.

 

Pieces


Photopiece


height: 620 cm
width: 178 cm
depth: 1 cm
Owned by: Guðrún Arndís Tryggvadóttir

Other exhibitions

More

Me from behind
Guðrún Arndís Tryggvadóttir 1981

From the series Birthmarks and DIN formats / Me as a 120 page Pocket book, from front and behind.

Serie: 60 black & white photographs DIN A6 (10,5x14,8 cm)
Photographed on 4 negatives with an Hasselblatt camera.
Assistant photographer: Herbert Rometsch.

The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light.
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.

The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.

  1. Photos DIN A2- DIN A9 - Guðrún Tryggvadóttir from back.
  2. Photos DIN A6 - Guðrún Tryggvadóttir from front and back.
  3. Photos and photocopies DIN A4. Me, to me, from me via POSTE RESTANTE - Mail Art. Guðrún Tryggvadóttir from back.
  4. Me in DIN A6 - Book work. A pocket book of Guðrún Tryggvadóttir in DIN A6 from front and back. 120 pages. Published in 10 photocopied, handmade and signed copies.
  5. A catalogue with texts, photos, photo copies and mixed media. 120 pages. Published in 2 handmade and signed copies.

On the first page of the catalogue says:

This book is about
that part of me
that faces the outer world.

This book is about
my points and dots
that face the outer world.

Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging,  putting into perspective, taking out of context, counting in, projecting, moving, etc.

Photopiece


height: 60 cm
width: 42 cm
Owned by: Guðrún Arndís Tryggvadóttir More

My back in DIN A2 to DIN A9
Guðrún Arndís Tryggvadóttir 1981

The work on birthmarks and DIN formats consists of full size photos of Guðrún, cut into the DIN (Deutsche Industrie Normen) formats where her birthmarks play a significant role as important points or scientific subjects, which puts human decisions on agendas, many which don't matter at all or are at least of questionable importance and value, in a new and humorous light. 
The subject, the human being, is here forced into the formats it puts everything else in, that is the DIN formats.

The exhibition on the birthmarks and DIN formats consists of three series of black & white photos and photocopies, a book project and a catalogue.


  1. Photos DIN A2- DIN A9 - Guðrún Tryggvadóttir from back.
  2. Photos DIN A6 - Guðrún Tryggvadóttir from front and back.
  3. Photos and photocopies DIN A4. Me, to me, from me via POSTE RESTANTE - Mail Art. Guðrún Tryggvadóttir from back.
  4. Me in DIN A6 - Book work. A pocket book of Guðrún Tryggvadóttir in DIN A6 from front and back. 120 pages. Published in 10 photocopied, handmade and signed copies.
  5. A catalogue with texts, photos, photo copies and mixed media. 120 pages. Published in 2 handmade and signed copies.

 

On the first page of the catalogue says:

This book is about
that part of me
that faces the outer world.

This book is about
my points and dots
that face the outer world.

Body, skin, birthmarks, sizes, formats, distances, constellations, self-examination, world view, narrow mindedness, broad mindedness, upscaling, downscaling, simplification, multiplication, view points, change, thoughts, sorting out and judging,  putting into perspective, taking out of context, counting in, projecting, moving, etc.

Photo


height: 29 cm
width: 21 cm
Owned by: Guðrún Arndís Tryggvadóttir

Other exhibitions

More

Me, to me, from me - Mail Art
Guðrún Arndís Tryggvadóttir 1980

This series did originally consist of 19 black & white DIN A4 photos of my back, that I enlarged to real life size photos on thin photo-paper (Copy Line). Then I made stamps and stamped on each photo the name of the receiver and sender, address, POSTE RESTANTE, postal code, city and country. I made photocopies of all the photos before I folded them down to size DIN A5 to look more like letters, took them to the post office where I put stamps on them and sent them on their way.

The final series consists on one side of the letters I got back (11 letters) and photocopies of the letters I did not get back (7 letters) in spite of the international rule that POSTE RESTANTE letters shall be returned to sender if not picked up by receiver within a given time. The photo above shows one example, the letter to me from me that I sent to Beijing and was returned to me.

On July 25, 1980 I sent 19 letters to 19 cities in 18 countries.

The letters are photos of my back. Photos of me, to me, from me.

To be able to send the photos to my own name in 19 cities all over the world I used POSTE RESTANTE*.

Example:
Guðrún Tryggvadóttir
Napels
POSTE RESTANTE
Italy

*POSTE RESTANTE: A department at main post offices where people can send mail to people without permanent residence and to tourists traveling in that city.

The cities were chosen randomly. I sent photos disguised as letters to cities all over the world:

I sent my self photos with the purpose of getting them back, at least sometime.
It varies from country to country how long they keep POSTE RESTANTE letters before they send them back, the shortest time was one month.

Conclusively there has been an exhibition of my back in post offices in 19 cities. Also on their way to there and back.

The letters have gone through the hands of many post service and transportation employees, that might have wondered why the senders name is the same as that of the receiver.
The fact that the photos are of the sender and receiver could not have been obvious.

Each country must have rules on how long POSTE RESTANTE are kept before sent back. According to the time of return (12 returned) it is obvious that the distances comply with the timespan. Meaning that long distance = long time from sending to receiving and short distance = short time from sending to receiving.

Returned letters are stamped, signed and written on by all the people that had something to do in the process of delivery. They write and stamp on my back and note that I’m not there.
Drawings on the letters are by people I don’t know.

  • Photo of skin, folded, sent as a letter.
  • Communication – working with people without working together.
  • Delivery from one place to the other.
  • Using a post office as a gallery.
  • Showing your art without damanding a certain treatment, retrievement or reimbursement.
  • Works sent away to introduce them to other people than the usual suspects in the arts business.

Letters sent July 25, 1980.
To:
Amsterdam
Barcelona
Berlin B.R.D.
Berlin D.D.R.
Kairo
Kalkutta
London
Mexico City
Moskow
München
Neapel
New York
Oslo
Beijing
Reykjavík
Rome
Teheran
Tokyo

Retrieved mail.
From:
Amsterdam
Berlin B.R.D.
London
München
Napels
New York
Oslo
Beijing
Tokyo

Letters probably still (May 1981) in the following cities:
Barcelona
Berlin D.D.R.
Kairo
Kalkutta
Mexico City
Moskow
Teheran

The only letter I picked um myself was the one at the main pos office POSTE RESTANTE in Reykjavík.

Exhibitions

Rent, buy or rent-to-own?

2024-04-28 - 2025-04-28
View

INSIDE
Snæfellsjökull National Park Visitor Center

2024-01-13 - 2024-04-24
View

METAMORPHOSIS
Sundlaug / Svimming pool – Höfn Hornafjörður

2023-12-09 - 2024-08-25
View

Works in Private Collections
Einkasafn / Private Collection

2023-07-15 - 2024-07-15
View

INTO
Sesseljuhús – Umhverfissetur

2023-06-03 - 2023-08-20
View

Kaleidoscope: Icelandic 20th Century Art
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

2023-03-25 - 2023-08-07
View

Cornerstone – 60th Anniversary exhibition
Listasafn Árnesinga / LÁ Art Museum

2023-02-11 - 2023-08-20
View

Studies for The Diver
Sundhöll Selfoss

2023-02-10 - 2023-03-26
View

Imaginations
Eyravegur 65

2022-10-08 - 2022-10-09
View

No 4 Around – Smallworks
Hótel Laugar Sælingsdal

2022-07-02 - 2022-08-27
View

Hofstaðir – Menningarmiðlun
Minjastofnun Íslands

2022-07-01 - 2022-10-01
View

The Diver
Sundhöll Selfoss

2021-06-11 - 2030-11-01
View

Awakening
Listasafn Ísafjarðar / Ísafjörður Art Museum

2021-04-30 - 2021-06-05
View

Lífsverk – Þrettán kirkjur Ámunda Jónssonar
Listrými / Artspace

2021-02-08 - 2030-01-01
View

Krosskirkja – Listræn ráðgjöf
Krosskirkja

2021-01-01 - 2021-10-01
View

Greetings across the Ocean
Nordatlantens Brygge

2020-06-13 - 2020-10-18
View

Thirty aquarelles from the book Legacy
Skálholtsskóli

2019-12-14 - 2020-02-05
View

Artspace

2019-12-01 - 2040-01-01
View

Legacy – The thirteen churches of Ámundi Jónsson
Hallgrímskirkja

2019-12-01 - 2020-03-01
View

Considerable
Listasafn Árnesinga / LÁ Art Museum

2017-09-23 - 2018-02-25
View

Guest at Jörvi
Jörvi, Haukadalur

2017-04-22 - 2017-05-22
View

Source
Gallerí Gangur / The Corridor

2017-01-19 - 2017-04-04
View

Artspace - Courses & Workshops, Spring 2017
Listasafn Árnesinga / LÁ Art Museum

2017-01-03 - 2017-04-01
View

Bloodline
Ólafsdalur, Gilsfjörður

2016-07-23 - 2016-08-14
View

Artspace - Art Workshops
Listasafn Árnesinga / LÁ Art Museum

2016-03-10 - 2016-04-30
View

Woman's lot: The feminine knowing
Listasafn Reykjanesbæjar / Reykjanes Art Museum

2015-11-13 - 2016-01-31
View

The Artists’ Colony of Hveragerði

2015-10-12 - 2030-01-01
View

Barn exhibition
Vinnustofa / Atelier – Alviðra

2015-09-26 - 2015-10-04
View

Points of View
Safnahúsið / The Culture House

2015-04-18 - 2021-04-30
View

Challenge
Listasafn Árnesinga / LÁ Art Museum

2015-01-24 - 2015-04-23
View

Upheaval – Icelandic art post 1970
Listasafn Árnesinga / LÁ Art Museum

2014-09-27 - 2014-12-14
View

The House and the Environment

2014-02-23 - 2020-01-01
View

Zoom Out
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

2013-02-02 - 2013-05-20
View

The Recycle App

2012-01-01 - 2020-01-01
View

Organic Map of Iceland

2012-01-01 - 2020-01-01
View

Ancestors & Descends
Galdrasafnið á Ströndum / Museum of Icelandic Sorcery & Witchcraft

2011-11-21 - 2011-11-23
View

Horses in Icelandic Art
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

2011-05-07 - 2011-08-11
View

The Green Map

2008-09-01 - 2020-01-01
View

Nature.is – an eco-conscious network

2006-10-25 - 2020-01-01
View

Icelandic Visual Arts: Painting post 1980
Listasafn Íslands / The National Gallery of Iceland

2006-10-07 - 2006-12-03
View

This is what the children want to see!
Menningarmiðstöðin / Cultural Centre – Gerðuberg

2002-11-23 - 2003-01-06
View

Myths & Monsters in Icelandic Folktales
Alþjóðahúsið / International House

2002-08-17 - 2002-09-06
View

The new Painting - The golden Beach breaths
Nýlistasafnið / The Living Art Museum

2001-01-20 - 2001-02-18
View

Art-Ad

2000-09-01 - 2007-01-01
View

City Monument in Großalmerode
Ráðhústorgið / City Hall Square

1999-01-01 - 2030-01-01
View

Art & Culture Competition
Volkshochschule Witzenhausen

1995-06-01 - 1995-06-01
View

Deutsche Bilder
Glas- und Keramikmuseum

1995-05-01 - 1995-08-01
View

Kunst & Werbung

1995-01-01 - 2000-08-30
View

Show from the Reykjavík Art Museum
Kringlan

1994-06-01 - 1994-09-03
View

SPACE – Artschool, Workshop, Gallery
Listhús í Laugardal

1992-09-01 - 1993-05-30
View

Unreconciled Passion, Art and the Confrontation of Grief
Gallery Spaces

1992-01-17 - 1992-02-14
View

Concepts and Dimensions
Trumbull Art Gallery

1991-03-16 - 1991-04-14
View

The Murray Hill Summer Art Walk
The Murray Hill School

1990-06-01 - 1990-06-03
View

The Person in Icelandic Art 1965-1985
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

1988-06-05 - 1988-07-10
View

Self Portraits in Icelandic Art
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

1988-01-01 - 1988-02-28
View

Guðrún Tryggvadótitr
Listasafn Reykjavíkur / Reykjavík Art Museum – Kjarvalsstaðir

1987-03-14 - 1987-03-29
View

Books & Illustrations
Menningarmiðstöðin / Cultural Centre – Gerðuberg

1985-09-22 - 1985-10-24
View

Iceland: The Art Revealed
Franklin Furnace

1984-04-19 - 1984-07-31
View

Debütant Exhibition – AdBK
Akademie der Bildenden Künste – AdBK

1983-12-12 - 1983-12-17
View

In the Red House
Rauða húsið / The Red House

1983-03-13 - 1983-03-19
View

The golden Beach breaths
JL húsið / JL House

1983-01-29 - 1983-02-12
View

In the Living Art Museum
Nýlistasafnið / The Living Art Museum

1982-11-12 - 1982-11-14
View

In Inwood Park
Inwood Park - N.Y.C., N.Y.

1982-09-01 - 2015-08-25
View

Kunst und Fruchtsaft
Akademie der Bildenden Künste – AdBK

1982-05-10 - 1982-05-15
View

Art Photocopies Exhibition
Centrum't Hoogt University

1982-02-26 - 1982-03-21
View

Destruction
Gallerí Djúpið

1980-09-27 - 1980-10-08
View

In the Studio

1974-01-01 - 2015-12-31
View
© Guðrún Arndís Tryggvadóttir 2015